09
May
11

Final Exam Study Guide

The final exam for this course will be Tuesday 17 May 8:00am-10:00am. It will be a “stay-at-home” essay exam. That is, you will take the exam from home (or wherever you have computer and/or wireless access). The exam will be posted to the class blog at 8:00am. (I will also email the class once it is posted). You will then have two hours to complete the exam and send it to me by email. At 10:00am, the exam will be taken down from the class blog.

For the final exam, you should be familiar with the genres, concepts, and readings listed below.

Genres

The following are the genres of digital literature we examined in the second half of the course.

  • Fake Facebook and Phweets
  • Wikis
  • Flogs
  • Books (particularly He, She, and It)

Concepts

Main concepts in the second half of the course (each has a corresponding entry on the class blog categorized under “lecture notes”):

Readings

Here are the texts you should be familiar with for the final exam. You will able to write about other readings (such as those presented by your class mates and texts you encountered during in-class writing and group exercises) on the final as well.

Note: The concepts are more important than the readings. So spend more time reviewing the concepts (in “lecture notes”) than the readings.

09
May
11

notes on the future of writing and reading

We began this semester talking about the print book as a form of reading technology. We end the semester reflecting on the fate of the print book in a digital world. Critics have been predicting the death of the print book for some time. At the dawn of the World Wide Web in 1992, hypertext author Robert Coover boldly declared the end of books in the New York Times. His prediction was premature. An obituary for hypertext fiction would have been more apropos.

But it isn’t just books that we should be worried about. It’s the fate of writing and reading that should concern us. In terms of digital communications, we seem to be moving away from textuality and towards visuality. That is, people increasingly communicate with each other using applications that are more visual than textual. Video chat at Skype is just one example of this; in the near future, such applications will become commonplace and communicating by writing will no doubt decrease. This is even more true of the applications we use to entertain ourselves. We are more likely to view video than to read an article online. Games are less reliant on writing text and are increasingly immersive due to improvements in visual simulation.

The question then is: will we still be writing and reading 50 years from now?

The National Endowment for the Arts would seem to think no. In fact, based on a 2004 NEA study entitled “To Read or Not to Read,” they seem to be panicking, accusing digital applications for a large decline in reading, which they envision continuing until there is no one left who can read or write.

The report has a summary. What I offer here is a summary of their summary.

1. Americans are reading less

  • adults and young adults reading less books
  • reading declining amidst teens
  • college students read less (for PLEASURE)
  • young people reading less literature
  • reading print competes with other media
  • spending on books dropping

2. Americans are reading less well

  • reading scores for 17 year olds down
  • reading scores for high school seniors down
  • reading proficiency rates stagnant or declining for adults
  • reading for pleasure correlates with academic achievement

3. Social costs of reading decline

  • employers rank reading and writing as top deficiencies
  • good readers generally have more financially rewarding jobs
  • less advanced readers report fewer opportunies for career growth
  • good readers contribute to cultural and civic life
  • “good readers make good citizens” (voting, etc.)
  • deficient reading tied to drop out rate
  • deficient readers more likely to be unemployed
  • deficient readers more likely to be criminals

4. Summary of findings

  • Less reading for pleasure in late adolescence than in younger age groups
  • Declines in reading test scores among 17-year-olds and high school seniors in contrast to younger age groups and lower grade levels
  • Among high school seniors, a wider rift in the reading scores of advanced and deficient readers
  • A male-female gap in reading proclivity and achievement levels
  • A sharp divide in the reading skills of incarcerated adults versus non-prisoners
  • Greater academic, professional, and civic benefits associated with high levels of leisure reading and reading comprehension

You may have noticed some problems with the report; I know I did.  For instance, you can replace “poor people” for “deficient readers” and get similar results. That is, it might be poverty rather than a lack of reading that is the main problem in the decline of reading. Also, the report equates reading with literature. It is possible that people read much more than they used to, but not works narrowly defined as literature. Also, the report equates reading with print. Again, it is possible that people read more, but what they read is electronic rather than print.

The point about (non digital) readers being better citizens is particularly egregious given the last U.S. presidential election, in 2008, in which Barack Obama mobilized people via the internet and the Web to an unprecedented degree. Digital technology has made many people more active in politics and civic life, rather than less, as the NEA report claims. (Not to mention all the people in North Africa and the Middle East right now who are using Web 2.0 digital media such as blogs, Facebook, and Twitter to organize and transform their societies).

Matthew Kirschenbaum, a professor at the University of Maryland (and author of one of our first assigned readings), gives an eloquent rebuttal to the NEA report in an article in the Chronicle of Higher Education.

In terms of the future of literary reading and writing, we can dwell on the negatives, like the NEA. But there are other reputable critics and scholars who do not think that people are becoming cretins because of their use of digital technologies. For instance: Robert Darnton, who is a print culture scholar, and thus very invested with print and books, but someone who also acknowledges the benefits of the digital, in his article “The Library in the New Age (2008).” While he notes some of the downside of migrating writing and reading from print to the digital world, he is also fairly confident that print works will continue to be read and used in our digital world. More specifically, he thinks “brick and mortar” libraries will continue to play a vital role in society.

His article is basically a review of Google Books, which is digitizing entire libraries as part of an effort to digitize all human knowledge found in print. In his article Darnton declares his main point: “I want to argue that every age was an age of information, each in its own way, and that information has always been unstable.”

This is of course very true of the current state of digitized information. But what is changing is not just the material manifestation of information, in print, but also our ways of thinking about information. Basically, the digital revolution is making us not worse, but different, readers. And in fact, digitization of information encourages us to read more critically:

I would argue that the new information technology should force us to rethink the notion of information itself. It should not be understood as if it took the form of hard facts or nuggets of reality ready to be quarried out of newspapers, archives, and libraries, but rather as messages that are constantly being reshaped in the process of transmission. Instead of firmly fixed documents, we must deal with multiple, mutable texts. By studying them skeptically on our computer screens, we can learn how to read our daily newspaper more effectively—and even how to appreciate old books.

Darnton goes on to show how every form of communication, beginning with writing, is unstable and unreliable. The way to deal with this is to preserve as many copies as possible. That is why, for Darnton, libraries are so important.

He begins his article summarizing the four big breakthroughs in communications technologies.

1. Writing. “the most important technological breakthrough in the history of humanity. It transformed mankind’s relation to the past and opened a way for the emergence of the book as a force in history.”

2. Scroll to codex. “The second technological shift [is] when the codex replaced the scroll sometime soon after the beginning of the Christian era. . . It transformed the experience of reading: the page emerged as a unit of perception, and readers were able to leaf through a clearly articulated text, one that eventually included differentiated words (that is, words separated by spaces), paragraphs, and chapters, along with tables of contents, indexes, and other reader’s aids.”

3. Moveable type. “The codex, in turn, was transformed by the invention of printing with movable type in the 1450s. Gutenberg’s invention . . . spread like wildfire, bringing the book within the reach of ever-widening circles of readers. The technology of printing did not change for nearly four centuries, but the reading public grew larger and larger, thanks to improvements in literacy, education, and access to the printed word.”

4. Electronic communications: “The Internet dates from 1974, at least as a term. It developed from ARPANET, which went back to 1969, and from earlier experiments in communication among networks of computers. The Web began as a means of communication among physicists in 1981. Web sites and search engines became common in the mid-1990s.”

What Darnton implies is that we’ve had momentous changes in writing and reading technologies before, and none of them turned people into illiterates, despite the fears of critics (in fact, they were all responsible for large increases in literacy). However, Darnton returns to his point that information is unstable and needs to be preserved. The reason that “brick and mortar” libraries will continue to be important is that digital communications, because of the huge volume of digital information and the rapid changes allowed by digital technology, are particularly unstable.

Here, summarized, are Darnton’s eight reasons why we will continue to need libraries:

1. Google won’t be able to replicate every book in every library. Even within editions of print books, there are important variants, which means that one copy is not enough.

2. Many collections are excluded from the Google Books digitization effort.
Google has signed on quite a few libraries, but even Google can’t expect to get every library to participate.

3. Copyright keeps some books from getting fully digitized.
All books published since 1923 are in copyright based on the formula: the life of the author + 70 years. Those who benefit from this copyright structure, authors and publishers, fear people will be able to download their books for free. That is why they have sued Google.

4. Digital technology is inherently transient and potentially obsolescent.
What this means is that many of the works Google is digitizing may be inaccessible in the future due to changes in storage technology. This has given rise to a whole new field, digital forensics, which attempts to not only preserve documents but also the software and hardware needed to read those documents in the formats in which they were originally created. Maryland’s Matthew Kirschenbaum, mentioned above, is a major thinker in this field. See his Mechanisms: New Media and the Forensic Imagination (2008).

5. Google makes mistakes. Even a casual perusal of Google books will make this clear. Scholars are constantly complaining about these mistakes, many of which are due to OCR (optical character recognition) scanning.

6. Even digital copies become degraded or corrupted over time.
What happens when your digital file is no longer accessible? You go to the library and find a print copy to copy or scan.

7. Searching technology makes some books hard to find, and doesn’t give us all variants.
This will no doubt improve over time, but the sheer volume of new “born digital” works, added to digitized print works, will always mean that some books will get lost in the data deluge.

8. Digital applications cannot replace physical act of reading material book.
This is the strongest argument for book preservation for some people: the physical experience of looking at, touching, even smelling books. This is not something that a Kindle or any electronic reader can reproduce. Darnton puts it this way:

Even if the digitized image on the computer screen is accurate, it will fail to capture crucial aspects of a book. For example, size. The experience of reading a small duodecimo, designed to be held easily in one hand, differs considerably from that of reading a heavy folio propped up on a book stand. It is important to get the feel of a book—the texture of its paper, the quality of its printing, the nature of its binding. Its physical aspects provide clues about its existence as an element in a social and economic system; and if it contains margin notes, it can reveal a great deal about its place in the intellectual life of its readers.

This brings us back to one of the main ideas in this class: media matters. The medium in which a literary work appears affects the way it is read. A book is not a hypertext or a blog or a Facebook entry. Each of these media determine to a large extent how something is said and read. It follows then that in order to preserve the way a literary work is said and read, we need to preserve the medium in which it appears. This does not mean chucking digital media in favor of print. But it does mean preserving the physical book and the places where such books are stored: the library.

Works Cited:

“The End of Books”
Robert Coover
New York Times (June 21, 1992)
http://wings.buffalo.edu/english/faculty/conte/syllabi/370/EndofBooks.htm

National Endowment for the Arts (NEA)
“To Read or Not to Read”
http://www.nea.gov/research/ToRead.pdf

“How Reading is Being Re-Imagined”
Matthew Kirschenbaum
Chronicle of Higher Education
http://chronicle.com/article/How-Reading-Is-Being/17111/

Robert Darnton
“The Library in a New Age”
New York Times
http://www.nybooks.com/articles/archives/2008/jun/12/the-library-in-the-new-age/

06
May
11

daniel bruce on the next big thing

For me, “the next big thing in electronic communications technology” will be in the area of wireless and mobile computing. Obviously, this is a means of communication that is pretty well developed already. The question, “In the future, will we do all our reading on smart phones?” isn’t something that needs too much thought. It seems as though, at least in the case of me and my friends, the main connection to the world is through smart phones. I read news articles, use Twitter (tweet), use Facebook, chat using instant messenging, and even sometimes do my homework on my smart phone. The truth is I can’t say that I enjoy it 100%. I still thoroughly enjoy picking up a print book or a newspaper. Now that I think about it, reading on a computer screen falls somewhere in the spectrum between smart phones and books. However, I would argue that smart phone use is essential and growing, especially with this generation of people who are now becoming adults. We don’t have time to sit down and read in front of the computer or to sit down to a cup of coffee in the morning while reading the paper. Maybe it’s because we’re in college, young and ambitious, energetic and still maturing. But it may actually be because we don’t like to be bored. I know I don’t. I load my plate up with as many obligations as I can find and then complain about it via Twitter until it’s all over. I think that smart phones will become another big alternative to the eBook and the Kindle very shortly. The only reason it hasn’t happened yet is because it’s not as popular, but I’m pretty sure I’ve already seen the technology—the application is sitting in my marketplace, probably for free; just the app though, not the texts. And, yes, we will undoubtedly be doing more watching than reading in the future. Again, though, that’s speaking as though it’s not already true. I’m pretty certain that non-digital literature won’t die, but it will diminish. Books will become less expensive to stay current and meet supply and demand. But a file on a smart phone or computer which is essentially free to copy will be right there with it.

06
May
11

evan clarke on the next big thing

In the future, the most fascinating developments will be in 3-D and immersion. In the future, there will be the possibility for people to enter stories, or video games and experience them first-hand. There have been some advances in this field with the goggles that allow the viewers to only view the movie that is inside the goggles. In the future, a person might be able to log into a computer and be completely immersed in whatever game they are playing, book they are reading, or movie they are watching. There are a few issues that are evident with these advances in technology. First, this could cause the literacy rate to plummet in society. If a person could simply watch a novel while being “in” the novel, why take the time to read the book? Also, the price on a project like this will likely be astronomical. Eventually, many years down the road, this technology could be available to just about everyone. But at first only the very wealthy could afford it.

Evan Clarke

06
May
11

amoona albadawi on the next big thing

With the speed technology is currently advancing, I think in the future the majority of people will actually be doing their reading online or at the very least using a digital reader like a Kindle. It probably won’t be soon, but there is a definite possibility that hundreds of years from now the physical print book may actually cease to exist, especially if you take into account how fast we cut down trees for paper and how slow it takes one tree to reach adulthood. I sincerely hope that in the future, no matter how far in the future, we don’t ever lessen our humanity by turning ourselves into cyborgs. If that ever did happen, I can at least take solace in the fact that I won’t be alive to experience it. 3-D immersion would be awesome, especially if we could step into a world like that in the movie Avatar. I don’t think social networking would ever replace literature as we know it. There are too many of us who still love to read and who will not substitute that for anything. The media that we use to do our reading may change, but not the novel will continue to exist.

Amoona Albadawi

06
May
11

jordan davis on the next big thing

I envision the future of technology to be sort of similar to where we are now. We are going to be using a lot of touch screen devices, such as tablets, in our everyday lives. Maybe newspapers will be e-ink—if they are still around. Even now, technology seems to be moving at a faster pace than people realize. The possibilities are becoming endless in what we can achieve using technology. Reading will still be a very large part of people’s everyday lives. I do not think that we’ll have any 3D reading, where the reader can step into a virtual world and read or write a story, but there will definitely be video games so advanced that it could seem like the virtual reality is real. Basically, I think the future of reading and writing is going to quickly make its way into flexible, portable tablets, with social networking, web 2.0, and the news being the main sources of reading. People will still read books on their tablets, but I think for the most part, tablets will be used for other purposes. However, in the future, print will not be dead, and books will remain a part of our lives for at least a few more decades.

Jordan Davis

05
May
11

rishi banerjee on the next big thing

In the ever changing world of digital literature, it seems that micro-blogging through social media outlets will be a major force in the future. With the advent of web applications such as Twitter and Facebook, a new, broader audience has been created for new pioneering authors to cater to. Micro flogs may soon become the predominant class of literature in tomorrow’s wired world. Fictional characters with fictional stories with multiple posts per day could easily captivate and enthrall millions of people. With new technological advancements such as super phones and tablets, people will have instant updates on their mobile devices. The addition of media, such as pictures and videos, these micro flogs will enhance the readers experience because they will be able to see and hear elements of the story, something which is currently not very common. In the future, people will become increasingly busy and the luxury of reading long texts will only be available to people who have time to read books and e-books.

Rishi Banerjee

04
May
11

next big thing writing exercise

For your writing exercise today, you are invited to reflect on the next big thing in electronic communications technology and how it will generally affect reading and writing, and specifically affect literature.

You might consider the following areas:

Wireless and mobile computing: in the future, will we do all our reading on smart phones? Will we be reading only short texts, or will there still be possibilities for longer texts? Will we be doing more watching than reading?

Cybernetics and robotics: in the future, will we be technologically enhanced by things such as wireless access ports implanted in our brains? Will machines (such as aggregators) be doing most of our reading for us? What will happen to writing?

3-D and immersion: in the future, will we be able to step into stories and experience them in three dimensions? How would we read and write in such environments? Why would we want to?

Social networking: in the future, will anything have just one author? Can there be such a thing as literature without authors? Will social networking replace publishing as we know it?

Marge Piercy, in He, She, and It anticipated quite a few of these questions. But she also got some of her predictions wrong. There were some developments in technology she could not possibly have forecasted. The same is true for you.

However, this should not discourage you. Be as educated as possible in your guess work, but don’t be afraid of being creative. Many of the great inventions began as fanciful speculations. What you envision may one day be real.

28
Apr
11

notes on the canon

According to George Landow, “the American Heritage Dictionary has eleven separate definitions of the term canon, the most relevant of which is ‘an authoritative list, as of the works of an author’ and ‘a basis for judgment; standard; criterion.’”

Both of these senses of “canon” are contained within the definition of the literary canon—those works that have been singled out by critics and audiences to have lasting artistic value. Landow continues:

Belonging to the canon confers status—social, political, economic, aesthetic—none of which can easily be extricated from the others. Belonging to the canon is a guarantee of quality, and that guarantee of high aesthetic quality serves as a promise, a contract, that announces to the viewer, “Here is something to be enjoyed as an aesthetic object. Complex, difficult, privileged, the object before you has been winnowed by the sensitive few and the not-so-sensitive many, and it will repay your attention. You will receive pleasure; at least you’re supposed to, and if you don’t, well, perhaps there’s something off with your apparatus.”

It is clear in the preceding that Landow is somewhat critical of the idea of a literary canon. Though he correctly notes that it is not just critics (“the sensitive few”) but general readers and fans (“the not-so-sensitive many”) who determine what will continue to be read and cherished in the future.

Landow continues:

Works in the canon get read, read by neophyte students and supposedly expert teachers. It also means that to read these privileged works is a privilege and a sign of privilege. It is also a sign that one has been canonized oneself—beatified by the experience of being introduced to beauty, admitted to the ranks of those of the inner circle who are acquainted with the canon and can judge what belongs and does not.

“Privilege” is often a bad word in academia, and this is how Landow uses it. It implies a select few, a cognoscenti, who determine what we read, now and into the future.

There are two important things that need to be emphasized at this point about the canon:

1. Any canon changes over time and space. That is, what is considered canonical at one point in time, and in one place, is different in other times and places. What was canonical in nineteenth-century England is not necessarily canonical today in England, or in the United States. Ever hear of Charles Lamb or his work Essays of Elia? Probably not, but in the nineteenth century every school child or university student in English-speaking countries would have been able to quote Lamb by memory.

2. Canon is as much about exclusion as inclusion. Until recently, women and people of color were not included in the English literary canon. Now they are, due to the diligent efforts of many critics and scholars, both women and men, caucasians and people of color. In fact, the last fifty years, particularly in literature departments, are informally known as the “canon wars” because of the sometimes fierce debate about who should be in the literary canon. Of course, to make space for these women and people of color in the canon, some of the old writers have gotten displaced (see my comment about Charles Lamb above).

For some literary critics, most of what we read this semester would not be considered canonical, just because it is electronic. You would no doubt agree that some of the works we have read do not have much artistic or literary value. But quite a few are quite brilliant and deserve to be read by people in the future. The reason why the subject of the canon has been raised in this class is because we are now re-forming the literary canon to include digital works. Critics will have their favorites, but so too will common readers and, especially, students. When critics and readers eventually agree about a work, that will make it canonical.

All of you are part of this process of canon formation. Particularly in a world in which social networking is so prevalent, your opinions matter and help shape what future students will read in literature courses.

Though we haven’t discussed it much, the revision of the literary canon is at the heart of what is called digital humanities. The humanities more generally refer to the exploration of the human condition in the arts and the social sciences. Digital humanities refers to the application of computer and communications technologies to the work of scholars and teachers working in the arts and social sciences, particularly universities.

The Centre for Humanities Computing at King’s College, London University defines Digital Humanities this way:

The digital humanities comprise the study of what happens at the intersection of computing tools with cultural artefacts of all kinds. This study begins where basic familiarity with standard software ends. It probes how these common tools may be used to make new knowledge from our cultural inheritance and from the contemporary world. It equips students to analyze problems in terms of digital methods, choose those best for the job at hand, apply them creatively and assess the results. It teaches students to use computing as an instrument to investigate how we know what we know, hence to strengthen and extend our knowledge of the world past and present. (taken from the Digital Humanities page at Miami University of Ohio)

It seems likely that there will always be an audience for digital literature in universities. In fact, university students probably comprise the main audience for digital literature, in courses like ENGL278W. This is also true of literature in general: today, it is in school that most people read literature. In this sense, it will be university classes more than anything else that will determine the canon of digital literature.

Finally, we have also encountered the idea of the canon in the context of the canon vs. fanon debate in fan wikis.

In this sense canon is official source material developed by the official author or authors of a given fictional universe. For instance, for the Star Wars universe, this would be primarily George Lucas, but also the screenwriters who worked on screenplays and those who have written the novelizations of the films. elaborations in interviews, blogs, etc.).

Fanon is non-official source material (often filling in gaps in characters and stories in canon) which goes viral, becomes common knowledge in fan circles, and may eventually become canon if the canonical authors recognize it as such. On this page you can read more about the difference between canon and fanon, and some examples of fanon which became canon:

http://starwars.wikia.com/wiki/Fanon

The interesting thing about all this, in terms of this class, is that even fictional universes have a consensus of what is true in that universe, and what is not. That is, a fictional world can have agreed-upon or canonized truths. Meanwhile, unapproved fictions within the fictional world are untrue, or fanon. But when fanon fictions are canonized as canonical truths for a given fictional world. Also important is that, in the case of fan wikis, it is fans who drive the process, not the canonical authors.

Works Cited:

George Landow, “The Literary Canon”
http://www.victorianweb.org/gender/canon/litcan.html

Digital Humanities (Miami University of Ohio)
http://www.units.muohio.edu/technologyandhumanities/field.htm

22
Apr
11

Brett Cohen on “SAVIOUR”

“SAVIOUR”
MrLightening
Storymash
http://storymash.com/u/MrLightening/pubofole/

“SAVIOUR” is a short tale of how quickly life can change for even the greatest of us. In the story there is a doctor who sees himself as being smarter and better than those around him. Everywhere he goes he brings an air of pompous grandeur, the sort of guy who doesn’t think that anyone is on his level, but he counteracts this with an inner telling of how noble he is. This doctor walk around comparing the good he does for people to the good others do, especially his neighbors, and comes to the conclusion that even though he feels he is above all others, the good he does for others outweighs his arrogance. He is brought to the reality of how fragile he is when all of the sudden a tool box is dropped on his head and he is no longer able to use that big brain of his. The story has just one chapter.

The story has only one author, named MrLightening. Besides “SAVIOUR” this author has posted two other stories called “The Park” and “Portrait of the Widower.” There are two comments on “SAVIOUR”. The general drift is that it is profound and that the story is something that could happen in real life. My comment would be something like: “The story is wonderful, very easy to read and well put together. I really enjoyed it.”

The story is rated 4.1 out of 5. I would rate it as a 4. I think the story is worth continuing. I would add a story from his early child hood, what happened to make him feel as if he had to project himself above others. Afterwards, I would show how his life is after the doctor leaves the hospital, following his accident.

Brett Cohen




 

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